Sip your espresso in style with Native Northwest 3oz Espresso Mugs. A unique take on a ceramic classic, featuring Indigenous designed artwork, they're both functional and elegant. Perfect for a morning pick-me-up or a mid-day break, they elevate your coffee experience. Perfect for espresso or other beverage favourites and can also be used in other creative ways - add a ribbon and you have an ornament, use it to serve small snacks to guests or as a tea light holder; The options are truly limitless with these little beauties.
Microwave & dishwasher safe.
Salmon Life Cycle Ceramic Espresso Mug by Francis Horne Sr.
Statement of Respect and Authenticity
We believe that Indigenous artists should be treated fairly and with respect. Authenticity of art, design, and culture is the foundation of our mission of building everyday connection to Indigenous cultures.
Native Northwest products are guided by the following five principles:
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100% of the art featured on every Native Northwest product is designed by Indigenous artists
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All artists have provided consent and contractual permission for their art to be featured on Native Northwest products
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Artist names are acknowledged on all product packaging
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Cultural traditions are honoured by acknowledging cultural affiliation on product packaging
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Artists are paid in fees and royalties
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“Our art retells our ancestors’ stories about our connection to the land that we have respectfully lived on for thousands of years.” – Francis Horne Sr., Coast Salish
Francis Horne Sr., a revered Coast Salish master carver with over 52 years of experience, has dedicated his life to preserving the stories of his ancestors through his art. Largely self-taught, he also learned from esteemed mentors, including Chief Simon Charlie, a renowned artist. Artistry runs deep in his family—Horne’s four brothers, Aubrey, Doug, Howard, and Perry LaFortune, are all accomplished carvers. His legacy also lives on through his daughter, Simone Diamond, an accomplished Coast Salish artist in her own right.
Horne’s work is celebrated worldwide for its precision and depth, from monumental house poles to intricate jewelry. In 1986–87, he carved four poles for the town of Duncan, BC, and later expanded into silverwork, specializing in jewelry. His totem poles have found homes in private collections around the globe. In 1988, his craft earned him an invitation to Singapore to demonstrate totem pole carving.
Specializing in large-scale house poles, masks, and limited edition prints, Horne’s artistry reflects the rich traditions of his Coast Salish heritage. Now based in the Fraser Valley, he continues to create monumental works while serving as a spiritual advisor and healer, carrying forward a legacy of cultural pride and connection to the land.