The Gitxsan Hand Coaster Set of 4 by Michelle Stoney offers a meaningful way to protect your furniture while celebrating West Coast heritage. Each Gitxsan Hand Coaster showcases a powerful handprint motif filled with intricate mountain ranges and evergreen forests. Michelle Stoney integrates traditional Gitxsan elements with contemporary design, utilizing five feathers to represent ancestral protection. These pieces are crafted with a heat-resistant surface and a non-slip cork backing, making them as practical as they are culturally significant.
Coasters are packaged in a clear top box in a set of 4. The packaging includes the Artist's biography and artwork description. They are cork backed and measure 9.5 x 9.5 cm square.
Gitxsan Hand Cork Back Coaster Set of 4 by Michelle Stoney
Oscardo is a leading souvenir and gift supplier featuring some of Canada’s most iconic Indigenous artwork. Since 1997, Oscardo has been an industry leader, paying royalties to 24 artists for every product sold and consulting the artists during development to ensure a beautiful product that fairly represents and promotes their artwork. Known for carrying quality items featuring top designs, Oscardo’s products are found in Indigenous-owned stores and wholesalers, boutiques, museums, public and private art galleries, National Parks and government organizations in every province across the country.
Indigenous Ownership: Oscardo is part of the Arctic Beverages family. Arctic Beverages is owned by Athabasca Basin Development, Prince Albert Development Corp and Paskwayak Business Development Corporation, collectively representing 13 First Nations and four northern communities.
Michelle Stoney is a Gitxsan artist from the Gitanmaax community, specifically the House of Fireweed. A versatile creator, her work ranges from traditional jewelry and carving to contemporary painting and graphic design. Michelle’s style is distinct for its vibrant, often neon colour palettes and its intricate, geometric interpretations of Gitxsan formline. She is dedicated to cultural education and reclamation, using her art to share the complexity of her heritage with a modern audience. Her innovative approach highlights the ongoing vitality and creative evolution of Northwest Coast Indigenous art.