Tuque, Toque, Ski Cap, Beanie - whatever name you use, reach for this versatile and warm knitted hat with embroidered Indigenous artwork to make your outdoor adventures warm and cozy this season.
100% acrylic, fits most adult heads.
Eagle Crest Toque by Ben Houstie
NATIVE NORTHWEST ART BY INDIGENOUS ARTISTS
Statement of Respect and Authenticity
We believe that Indigenous artists should be treated fairly and with respect. Authenticity of art, design, and culture is the foundation of our mission of building everyday connection to Indigenous cultures.
Native Northwest products are guided by the following five principles:
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100% of the art featured on every Native Northwest product is designed by Indigenous artists
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All artists have provided consent and contractual permission for their art to be featured on Native Northwest products
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Artist names are acknowledged on all product packaging
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Cultural traditions are honoured by acknowledging cultural affiliation on product packaging
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Artists are paid in fees and royalties
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Cultural Background: Heiltsuk, Bella Bella, BC (Waglisla)
Heiltsuk artist Ben Houstie was born in Bella Bella, BC (Waglisla) in 1960. Ben’s works include: original paintings, limited edition prints, carved cedar rattles and paddles. He has worked with Cheryl Hall, Robert Hall, David Gladstone and Beau Dick. In 1988, Ben worked under Bill Reid painting several drums of Bill’s designs and 20 paddles for the Canadian Museum of Civilization in Ottawa. Ben also painted several reconstructed artworks in 2000 for the Museum of Anthropology’s ‘The Transforming Image’ exhibition, at the University of British Columbia.
“As a child, I had the opportunity to watch master carver, Mungo Martin, worked on the world’s largest totem pole, in Alert Bay, B.C. I had been removed from my family and community and placed in St Michael’s residential school in Alert Bay. Residential schools were designed to “remove” culture and promote assimilation and yet ironically in Alert Bay, I found the artistic traditions of our culture. As a survivor I am deeply impacted by the painful experiences of being in a residential school. My art is part of my healing and provides a connection to my culture. Working with Bill Reid as well as a project featuring bent box designs created by my great grandfather, Daniel Houstie were critical in my understanding of our unique art forms. I have committed my life to Northwest Coast Art and am delighted that my son Christopher is following in our family tradition.”